3 Kings Opens at Subliminal Gallery

3-kings-subliminal

Submlinal Projects presents 3 Kings featuring works by Lee Quinones, Leonard “Futura” McGurr and Fab Five Freddy (Fred Brathwaite) guest curated by FUN Gallery founder Patti Astor. The show open Sat. Sept. 17 from 8 to 11 p.m. and runs through Oct. 8 in Los Angeles.

Published by admin, on September 11th, 2011 at 11:31 am. Filled under: Art,GALLERIES,IF YOU SEE SOMETHING BUY SOMETHING Tags: , , , , , 1 Comment

Lee on Life + Times Part II


In a second segment, Lee invites Life +Times to his studio where he discusses the painting “Benchmark: A Great Rush Hour in the Bronx” that depicts Cliiff 159, Rammellzee, and Noc 167, Futura, Lady Pink, Taki, Fab Five Freddy and himself in the backdrop of the infamous Writer’s Bench at Grand Concourse.

The painting is included at the Art In The Streets at MOCA Geffen Center, in Los Angeles which closes Aug. 8.
Source: Life + Times

Published by admin, on July 27th, 2011 at 3:00 pm. Filled under: Art,MUSEUMS,Uncategorized Tags: , , , , , , , No Comments

Instigating a Manifesto

dscn19842Finally, a new horizon has been reached. Here I am at the tender age of 48, as the world’s oldest teenager attempting a back door entry into the modern age arena. Sometimes arriving late to the party one can feast on the good and settled music already playing and skip the bland opening act. But for the old school loyalists out there with notepad sketches and a pencil riding on their ear lobe brim, do not worry; I still keep one foot wedged in that old door with my day planner in hand. After all, coins and pay phones still do work in NYC, and I use them for sure.

I’m really excited about sharing my new work with the many varieties of people around the world, and on this coming April of 09′ in Genoa, Italy, that testament will come to rise. It will be my first solo show on the boot since 1979 when the first ever Graffito exhibition was launched in Europe with Fab Five Freddy and myself. As of late, my work has truly changed in my mind only a few hundred times and it will take on a whole different face from the previous state as it materializes into real matter.

Art based on the spray can has been a dynamic movement propelled by young people since the late 1960s that reaches a larger audience gauged by its own persistence. As artists, we are responsible for the advancement of this movement, just as we were responsible for its introduction. We must breach the tar pits of our outlaw status and use our social and resourceful skills to painfully advance an art movement that continues to gain respect in its own time and beyond. This is a call to arms for all Rapid Enamelists.

Ignore the Media
In talking about new work, I come to the forefront of a desolate social plain. These dunes of debate have been walked on before, but this discussion has been perpetuated by outside academics and media sensationalists that never quite breach the core of it all. A little known contradiction has been that — No! — a movement such as this should never be understood entirely. To misunderstand it is to keep regurgitating it for the sole purpose of making headlines. We are the catalyst to a manifesto of a modern movement. We must stop whining and carry our own weight. This manifesto may start with an argument and gain legs within an argument, but arguments aren’t strange to movements. Debates have been settled by artist by either moving forward with groundbreaking work or moving on to brawls on the bar room floor. Check your options and adoptions.
The movement within a movement has to be modeled after the courage by some to take on new challenges within them selves. Graffiti has to be taken out of its historical context in order for it to be debatable and understood enough to debate. No wish washy kid-speak here. Only groundbreaking, well-natured new work will move us forward. Solo shows, installations and thoughtful commentary are key to this advancement.

Turn the Page on the Good Old Days

To my fellow peers — some who are very talented — rid your selves of the nostalgic bug. Sure we can venture over to THE OLDEN DAYS as they say, and re-live those vital heroic years from our youth. After all, some of those days and nights were the most exciting and successful feats of our lives. But let that happen naturally from within our selves and for the appropriate reasons over a beer. Nostalgia should only surface when its disciples have the notion to reflect on a relevant cause or as a need to contrast a point and time and not because the world’s idea think tanks have dried up. If it were such, then we’d all still be pigment scratching the catacomb walls of Pompei. It should not dictate our future and present moment to the tilt, the Graffitists were a powerful and versatile collective back when and survived a gritty fiscally challenged city without any blue print handed to them. The just cause of what we literally fumed about 35 years ago has now gone on to influence a hundred thousand more from all corners of the globe, just like the Italian Futurists did at the turn of the 20th century. What we have to remember as a whole and as individuals is that a true movement will always be about evolution within its own revolution.

Embrace the New and Improved
I’m deeply excited by our new incoming President Obama and Vice President Biden. They both shine with honor and valor the way I always expected this country’s dignitaries to hold court. Rolled up sleeves will become the norm around these parts again and perps best chirp their dirt some where else, it’s time to flush the toilet Baby!

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Published by admin, on February 1st, 2009 at 10:08 pm. Filled under: HERESAY Tags: , , , , , 4 Comments